EXTRACT FOR
BLACK MAN'S REVENGE
(Kim Hardwick)

"YOU FUCKING WHITE TRASH WHORE!"  LeRoy was pissed at Kathy.  When LeRoy gets pissed at a woman, that woman's future is bleak indeed.

"NO, PLEASE MASTER! NO, I'M SORRY! IT WON'T HAPPEN AGAIN!"  Kathy's supplications for mercy were being ignored.  LeRoy was turning off his 'pity meter'.  Truth be told, I doubt he even has one, and if he does, it's always turned off.  

Unfortunately for Kathy, today I'm acting as the cameraman for this shoot, so the chance that I was going to get involved in LeRoy's shoot were zero and none.  There is a strict code of honor among us Masters.

Short of LeRoy taking out a chainsaw to dismember Kathy, there is no way I was going to butt in.  A silent shadow filming this shoot would be my role, so to speak.

"YOU FUCKING WHITE TRASH SLUT!  YOU FUCKING SMUDGED THE SHINE ON MY PRADA SHOES!"  

Kathy started to sob uncontrollably, tied securely as she was on the rack.  The rack is my latest toy and fortunately, my loft is large enough to accommodate its dimensions.  I had to admit, she does look hot, with her pointy nipples, light brown pubic hair and milky white skin all spread out.  Her tears and the way they were ruining her makeup as well as the way she was writhing on the rack was most arousing.

"FUCKING GOOD FOR NOTHING WHITE TRASH SLUT!"  

LeRoy oftentimes gets into these situations, where his anger takes over and he just loses it.  I only hope he didn't bring his flame thrower with him.  For that, I will have to put my foot down.  My home insurance doesn't cover Korean War military artifacts being used as a film prop.  Last time I allowed him to film a shoot; he used the flame thrower and almost burned my place down.

As he stopped a moment to wipe the spittle and foam from his mouth, I took the opportunity to check out Kathy.  When I direct and participate in my own shoots, I carefully interview the girl, particularly if I hadn't worked with her before, and determine whether she is the right type for my films.

In this case, LeRoy called me this morning and asked if he could film a quick shoot for his website.  Told me he had picked up some hot white slut (his words) who lived for pain.  Intrigued as I always am regarding women and their need for pain, I agreed.  Besides, as the cameraman for the shoot, I could always pick up new techniques from one of the industries true genius' when it came to dishing out pain.

For those not familiar with my films, a quick background: LeRoy is a DOM/MASTER like me; however, unlike me, he engages in the lifestyle as a hobby.  His main occupation is 'dealer in controlled substances.'  In other words, he's a drug dealer.  He also happens to be a large reason why my films dominate the industry.  

About a third of my films involve him and his 'white sluts'.  The way he ravages them and takes them to the brink of total and permanent physical destruction is quite awe inspiring.  There is no way to fake the uncontrolled savagery and barbaric love of sadism that LeRoy brings to the table.  Watching him torture an actress during a shoot, you quickly realize it's not acting; the pain and the screams are as real as they get.

For this film he told me over the phone that he had picked up a 'tight bitch'.  Generally, that means the actress is a strikingly beautiful white woman, aged anywhere from 22 (I don't film with teenagers or any woman who looks like she belongs in high school), up to early to mid-fifties.  In fact, lately, I and my clients have been developing a taste for more mature women being subjected to horrible torture and nipple pain.  There's something perverse and taboo about watching a woman who could be your mother being hogtied, whipped and tortured like a slab of worthless meat.  I and my clientele agree that the squeal with delight factor is 'off the hook'.

With LeRoy, however, he relishes destroying young women.  Young white women.  The more submissive her behavior, the angrier he gets and the more unspeakable the pain he subjects the poor girls to. 

As I check on the focus for the camera and the battery levels, I make a mental note of how LeRoy choreographs his films.  Generally speaking, he never has a prepared script, let alone an outline.  He just comes over with the beautiful white woman and gets right into the action.  

That, of course is NOT my way of filming.  As a result, when he called me earlier today, I agreed he could come over and use my place as his film location and do 'what he had to do' with his 'bitch', per the usual business arrangements (I distribute the films and he gets half of the profits).  However, that didn't mean I wasn't going to prepare the set.  I immediately removed all extraneous furniture and adjusted the lighting as if it were my film I was preparing.  I set up several cameras to obtain different angles and of course, made sure to close all windows.  No need to have noisy neighbors asks questions about 'women screaming'.