"A liquid prisoner,
pent in walls of glass..." Shakespeare
Chapter
One
Harris
& Hartley was three blocks down the street. I had ten minutes to make the
trip with a portfolio of the most important drawings of my career tucked under
my arm. Exiting my office building, a blast of Chicago cold wind whipped my
face, and the damp pavement made me turn my heel. Splat! I was on the cement,
looking up at six half-amused pedestrians, while the contents of my portfolio
spilled, the breeze taking away a sheaf of papers like propaganda leaflets
tossed into the sky.
I failed to react until they were
sailing down the street, where they met KC Gable-a hip looking twenty-something
actor/biker/all around unusual person-who at the moment was the only one on the
street kind enough to retrieve my valuable documents.
Witnessing his painstaking efforts
to fight the wind-and do it with a manly poise which made it look as though he
plucked paper from the air as a regular practice-I didn't bother to rise from
my awkward sprawl as quickly as I might have. He approached me, trying to put
my drawings back in order while I stared at his muscled chest and the slight
swagger of his slim hips. He was wearing leather pants and a white tee shirt.
I'd never seen a man in leather quite so close. He certainly wouldn't fit with
my circle of downtown friends. KC's dark hair was trimmed short on top, shaved
close at the sides, while a neat goatee outlined his lips and chin. Peering
into the depths of his brown eyes, the shudder of fright that went through me
was distressing, since I had no idea where it came from. Men like him had never
attracted me before.
"Thank you," I said, as he held my
papers in one hand and lifted me to my feet with the other. "Dickerson said I
should wear a short skirt," I started to ramble, as my less than graceful rise
was hampered by the tiny skirt beneath my pert suit coat. I'm sure I showed my
ass to half of Chicago. "Says, it would distract their
attention."
"Who's Dickerson?" KC asked. (This all before I knew his name, or he knew mine.)
"Oh, I'm so sorry, just my
associate-who sometimes has no common sense, and
neither do I right now. We have an important meeting..." I checked my watch
hurriedly. "Three minutes. I will be late. Thank you so much," I caught his eyes
again, shaken even more. He was standing close, looking amused. I found his
gaze unnerving.
"I think I got them all. The
papers," he said pointing to drawings, as he noted my bewildered look. "You
okay? You want to sit a minute, maybe? Have a cup of coffee?"
"No, no, I don't have time. But
thanks."
"I was just going into the diner,"
he said, pointing to McGill's, a retro 50's coffee shop where I often ate
lunch.
"No, thanks.
I do have to fly-if I could." I laughed.
As I moved on, I turned back to see
him staring at me. I waved, smiling, then turned to face the wind and fought my
way down the street to Harris & Hartley.
An
hour later I returned to the offices of Ripley & Wingardt,
Architectural Engineering, much less rattled and more composed. About to walk
through the formal doorway-the site of my earlier reckless plunge to the
ground-I suddenly gazed into the coffee shop window next door spotting my
benefactor of the day. I smiled. He smiled back, and then, in a move so impulsive
I have no idea where it came from, I changed directions.
A minute later I was standing by his
table. "You're still here? Still offering that cup of coffee?"
"Sure," he said.
He was handsome, bold and
refreshingly different from any man I'd ever been with. "KC Gable," he offered his hand for me to shake.
"Gail Henry."
"Did you get the job?" he asked next
as I slid onto the vinyl seat opposite his.
"Job?"
"Job? Contract? Assignment? Your
appointment was about money?"
"Yes, it was. And I'm not sure," I
paused. "I'm not sure I didn't botch the whole deal."
"Rushed in late, your hair a little
messed," he turned his head to inspect my short red curls, "but not too much,
it does go back in place pretty easily. But then there was the run in your hose."
I almost blushed. "I was in too much
of a rush to change."
"You probably keep an extra pair of
pantyhose in your purse."
He was amazing.
"What is your angle?" I asked,
nervously trying not to spill the coffee just poured in my cup, while at the
same time inspecting my sanity. Why was I having coffee with this man?
KC shrugged, saying, "Nothing. I
observe, make judgments, and see if I'm right."
"That sounds pretty smug to me."
"Well, try me then," he quipped.
"We'll see how well I do. Ask me what I've observed about you."
He intrigued me: the charm, the
smile, the leather, the look of casual confidence as though nothing could
rattle him. Even if he was impossibly young for a thirty-two year old
professional woman, this could be intriguing.
"Okay, tell me."
"You're an architect, that's pretty
obvious. But getting to your position hasn't been easy. In fact, it's been a
fucking bitch for the past few years, maybe even longer. Sometimes you're worn
out. You're often weary. And you never have enough time for anything. You have
a wealthy family, but they're distant and not too supportive; and I don't think
you're in a relationship now-nor have you been for some time. Once, maybe twice
you were serious about a man, but they were so complicated that you gave up and
let your work consume you. You probably have a small but perfectly designed
apartment in an expensive neighborhood. You eschew your family money and spend
only what you make while a handsome trust fund/inheritance sits in the bank
waiting for you to claim it." He stopped abruptly, perhaps in response to my
shocked expression. "Enough?"
"That's amazing," I whispered so
quietly I'm not sure he heard, but I know he understood.
"What did I get right?"
"A lot," I vented a deep sigh before
beginning, "the overworked architect-which was probably pretty obvious from
this morning's fiasco, but the family, the men, even my apartment, you were
almost dead on... I have, however, had four serious relationships, and almost
married twice. But I haven't had anyone special for over four years. There's no
trust fund-not yet anyway. But my parents are filthy rich and they travel
everywhere but to Chicago-which is really all right with me. I see them in
their New York condo once a year at Christmas."
"And your
apartment?"
"One bedroom, loft style and it's
perfectly home. The most perfect place on earth, and usually the only place I
really like to be."
He smiled.
"So, where do you like to be, KC
Gable?"
"On my bike or at
the theatre."
"Really?"
I'm not sure I was surprised, except that for a minute I think I viewed him as
a regular person. These two bits of information put him in that other world
again where I felt odd and uncomfortable. "What theatre?"
"ACT-Actors,
Creators and Technicians Workshop."
"I'm not familiar with it."
"Experimental
theatre, probably not your interest."
"And why not?"
"You have an interest in avant-garde
playwrights?"
"No, at least not
that I know of. But it sounds interesting."
"Maybe you should stop by."
And maybe this was going too far, I
was thinking. Overstepping the bounds of a friendly 'thank-you' sort of chat. I
had little desire to pry into his world even though he seemed to have so easily
stepped into mine. "Maybe," I offered a vague reply. The moments intervening
seemed uncomfortable for me, though KC appeared perfectly content. I finally
asked, "Do you always do psychic readings on women you pick up off the street?"
"No. Just the
interesting ones. My occupation makes me curious to peer into people's
minds."
I really liked his gentle wit, the
bold eyes, and beyond his obvious physique, his hands. I probably stared at
them too long but I was fascinated by their strength. They were thoroughly
masculine, and my imagination was inspired to take a few interesting flights of
fancy wondering how they would feel on my flesh. "So, what do you see in my
mind beyond the obvious," I asked when I looked up again. It was an almost
flippant question, which revealed much more than I asked for.
"You know I haven't a clue about
you, or anyone," he sniggered, "I make up stories. Some probably hit the mark
while others are so far-fetched they're laughable."
"So what would you say is inside my
mind?"
"Honestly? I imagine you a sexual
maverick inside your perfect apartment-a seething lioness underneath that staid
librarian exterior." (Ooo, that bit!) "You like certain crudities but you don't tell
your lovers what they are because they would shock them." (How could he get
this close to the truth without knowing me?)
"What kinds of crudities?" I asked.
"Oh, spanking, maybe bondage,
perhaps, a fascination for leather-but then that might just be me. I love
leather."
I was sure he did. The leather
jacket at his side was expensive and well worn. But spanking? Why would he say
that? This conversation was suddenly making my clothes itch and my skin hot.