Should We
. . . Take This Outside?
Alessandra was smoking-a good thirty feet away from the
other Tobacco Exiles.
It was a warm night, the air humid and thick; having
stepped outside with some purpose and determination-closing that last ten
yards-I suddenly felt like I was walking through pudding.
I felt dull.
Slow.
Uncertain.
She didn't look up and "see me" until I was perhaps six
feet away.
And when she did, the faintest of smiles flickered across
her glossy blood-red lips for only a quick moment.
Then she brought her cigarette to her mouth again,
inhaled deeply and with obvious pleasure, and blew the smoke directly into my
face as I reached her-the cigarette, by that point, held between thumb and
index finger, pointing backward from her semi-cupped palm, her arm loose, just
brushing her hip.
I don't know enough about 1940s
movie heroines.
The Femmes Fatales?
Lauren Bacall?
Marlene Dietrich?
I don't know.
I'll say she looked more than composed; she looked . . . posed.
And perfectly-breath-deprivingly-so.
But, of course, there was nothing remotely new about that.
Why? Part I
"Why what?"
"Really? It's
not a complicated question and you're not-most days-a fucking moron. Why. Are. You.
Doing. This? Makes no sense."
I nodded as though I were considering what Jay had said;
to some degree: I was.
"Why do we do anything?" I offered, eyebrows up, voice
neutral.
"Alright."
Jay sounded suddenly tired and I felt a little guilty.
"No, no, no, no," I said quickly. "I . . . get it."
Of course, I
fucking do!
Why go to the Twenty-Year Reunion if all that mostly
meant was going back to the-what seemed at the time like-unending Horror Show
of high school?
A more than reasonable question.
To which I had no-really-reasonable or defensible answer.
I'm still trying-to-get-it-right?
I'm stuck?
Both real-if sad-possibilities.
That Bitch
Alessandra's a bitch.
Always has been.
I see her on the other side of the hotel ballroom in
which the reunion is being held: I can see it from a
mile away; no change.
And yet . . .
As always . . .
All of us pushing forty now?
She remains just stunningly gorgeous.
There should be some
change?
I still can't look at her; I still can't not look at her.
Well . . . "stuck is stuck" and "stuck is sad."
And I'm sad.
Sorry.
Wasn't my actual plan.
Just seems to be how things worked out.
I moved away, went to college; went further, got an MBA.
I got married, was financially successful, got divorced.
I came back to take care of my dying father-my mother in
a nursing home, with Alzheimer's.
And . . . well here I am.
Wherever you go: there you are.
I know she went to California; I know she came back, too.
I know she got married; and I know she got divorced.
I know I was-almost-never
a flyspeck on her windshield when we were in high school; I know there's really
nothing in the world that I can do to ever change things-even, maybe
especially, now.
Got money? Who cares?
Did a little working out and re-sculpting?
Still just a little guy with barely discernable muscles.
And she's still . . . Alessandra.
I feel like I've had an illness for almost twenty-five
years-mostly mental but with physical symptoms as well.
If I got it from anybody: I got it from her.
I don't think there's a cure, but I'm pretty sure she's
the only treatment.
I want what I've wanted-what I've needed-with desperate and feverish intensity, since I was fifteen.
I want Alessandra to hurt
me.
Why? Part
II
I've had my head examined, on and off over the past
fifteen years or so; I waited until I was twenty-five.
When my marriage blew apart it felt like I had waited
long enough, or-of course!-too long.
But I'm not sure what all that therapy has gotten me-or
where.
I've processed.
I've reflected.
I've learned.
Not enough?
Too much?
It hasn't changed anything.
I know what I'm supposed to do; I'm supposed to
understand myself as having been sexually formed by aberrant early experiences,
imprinted, or mis-imprinted: my fears
and my desires a fetishistic fusion.
Was it that group of slightly older neighborhood girls,
who briefly adopted me, when I was seven, as though I were a pet, and more "Did 'Doctor' to Me" than "Played 'Doctor'
with Me"?
Was it the wine-scrambled middle aged woman next door
who, the summer I turned fourteen, made a weekly habit of blowing me in her
dark living room then flying into a kind of rage and throwing me out of her
house-or the two occasions on which she changed her mind, dragged me back from
the front hall, put me on my knees and thrust my head under her bathrobe, gave
me minute and precise instructions on how I was to lick her hairy, slick folds,
her sharply filed and garishly lacquered nails digging into my scalp painfully,
her orgasmic shrieks rising to hysterical pitch, before she threw me out again?
The fumbling on couches, in
basements, in garages?
The failures and
humiliations in cars, dorm rooms, eventually motels?
The rare but exhilarating
sexual successes?
And-no shrink has ever really sold me on the idea of normal-isn't all that shit just some
version of what every boy goes through, growing up (maybe girls, too; what do I
know)?
Beyond all reason, I don't think it's any of that.
If it's bad wiring, it's bad wiring.
But . . . I think it's just Alessandra.
Smoke in
My Eyes
"Jimmy," Alessandra said, voice soft and sultry, "you
shouldn't be out here. Good little boys like you don't smoke."
Jim, I wanted to say.
But . . . no-obviously-I
was Jimmy again.
No point arguing that.
My voice didn't quite crack, but it was damn close.
"Maybe I'm a Bad
Boy?" I offered tentatively, working at "aloof."
We might have both laughed at that.
But didn't.
She made a little hum of thought, dropped her cigarette,
crushed it under the sharp toe of her spike-heeled pump.
Her smile was faint but seemed somehow sympathetic.
"Maybe a Bad Little
Boy," she murmured, throwing my breathing, heart rate, and body temperature
into utter chaos. "And of course," she leaned in a little, close enough that I
could feel her breath on my cheek, "everyone knows that bad little boys all really want
to be punished."
She pulled back just a little, her eyes locked on mine,
patient, her expression an odd combination of mockery and sympathy, interest
and disdain, boredom and-it wasn't
just me-a little jot of sexual
excitement.
Eyes steady, she extracted a pen and a business card from
her small, black, patent leather, clutch, wrote something on the back of the
card without looking, tucked it into my shirt pocket.
Then she turned and left.
The power of speech had left me entirely; I thought it
unlikely I was ever going to be able to move from that spot: seasons would
change; I would remain there, a statue beside the hotel parking lot, bewitched.
The Iron
Butterfly
"No, Jimmy," Alessandra said, voice calm, almost
friendly, "I have not given you permission to sit on my furniture. Sit here,
please. That's right. At my feet."
Her living room: location, date, and time specified on
the card.
Dazed, I sat.
All just a dream anyway.
Had to be.
It was strange that we were both "home again."
Strictly speaking: she was one
suburb over.
And the ranch house she lived in was infinitely more
elegant than the place she had grown up-granted I had only seen that house from
the outside, biking to that side of town in the dark, watching from the shadows
across the street: the lights going on, the lights going off, silhouettes
through windows.
Sounds-sometimes violent.
Smells-sometimes wafting from the grill they had in their
backyard, sometimes seeming to come from the house itself.
I watched for three years, most of high school; I never
looked through her window; never been a peeper-never
wanted to see, not in that fashion,
anyway.
Summers, I would sometimes bike barefooted, the serrated
metal of the pedals digging into my feet, a pain I felt I deserved, the
damp-cooling-air-of-evening sweet, the streets quiet.
There were boys.
I watched them come and I watched them go.
I watched them pick her up and I watched them drop her
off.
I came to feel that I could "read her shoulders," see
from a distance what they had or had not done-never mind what happened in the
car, in front of the house, or on the stoop, under that bright yellow bug light.
And I watched her change.
It's not that she started out soft-not at all.
But sophomore to junior to senior year, she became
steadily less tentative.
A butterfly emerging from a chrysalis-and then morphing
into an Iron Butterfly?
I saw this with other people, saw it from a distance; for
me she'd never changed.
From the moment I first saw her, it felt like the way she
looked at me was different: a flash and crackle, anger and desire, longing and
threat-even when, to everyone else, she looked shy.
"Aww, Jeez," Jay had moaned to me during gym class,
pointing with his chin, "the new girl's a fox!
Bet she could really hurt you . . ."
And I murmured the required response, ". . . if you were lucky," perhaps genuinely understanding
that phrase for the first time.
Now, almost forty?
It didn't seem possible that anyone could fail to see
what I'd seen then.
When she'd clicked across the marble-floored ballroom,
after checking in at the reunion table in the hallway, a little knot of
paunchy, aging, jocks first went silent, then began to mutter amongst
themselves and gawk.
It was like radar: her head swiveling, slowly and
smoothly-a gun turret acquiring targets-her eyes, just slightly heavy-lidded,
paralyzing them, like they were the
deer-in-the-headlights.
And here I was, scant days later, sitting at her feet, on
the floor of her elegant, minimalist, living room, as she idly tousled my hair
with one hand, the other holding a highball glass from which she took the
occasional languid sip.
Finishing her drink, she landed the glass on a side
table, next to a silver cocktail shaker.
I had gone into something of a trance, just staring at
her ankle.
She dropped her hand from my hair to the side of my face,
almost tickling me with her long, sharp, French manicured and lacquered nails,
encouraging me to look up at her-which I did with reluctance and great effort.
"I'm going to tell you a story, Jimmy," she said softly,
seeming both amused and a little sad. "I'm going to tell you your story."
I felt myself nod.