Irontown: where pliable female flesh must always yield to inflexible iron

Irontown 3: Awakenings

2024 Edition

by Adriana Arden

Imprint: Silver Moon

This book is written in English

Style: Submission/Slave Training of Female, Public Humiliation and Exposure, Male Dom - M/F, Fem Dom - F/F, Sado-Masochism

Published: 2 / 2024

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Available for members to read online in the Reading Room which is part of the member library

STORY DESCRIPTION

Jane Frobisher is a distinguished artist specialising in painting subjects associated with the industrial heritage of Great Britain, who has come to Shackleswell to paint scenes of its old mill machinery and the newly restored steam railway line. What she does not know is that Shackleswell (familiarly known as Irontown after its Victorian manufacturing past) is secretly a slave-owning society, which turns lost young women are given mechanical part-number names and turned into compliant and happy workers and pleasure toys.

But even the most well balanced of societies has its dissenters. Jane is seized in the middle of the night by masked men from the IRES: the Irontown Rules Enforcement Society. In the hope of causing a scandal, Jane is stripped, marked with a fake part-number, and taken to Rowland and put in the castigorium, where disobedient women are displayed for public humiliation and punishment. But she is recognised as an outsider by young cub reporter Adam Tamper and taken to city Mayor Goldsmith.

To keep her from revealing Shackleswell's secrets while the authorities hunt down the IRES, the Mayor offers Jane a commission and a strange proposal. She will be given the official part name of BRUSH 01 and Adam will be her temporary master while she explores the heritage of Irontown and samples slave life at first hand. When her commission is completed she can go free.

And so Jane serves in Adam's bed along with a pair of compliant naked house slaves; visits the Museum of Flesh and Iron where naked slave girls are used to demonstrate devices from Irontown's past incorporating living female bodies into their mechanisms; samples the wares of a high-class restraint shop and is offered the job of painting a rich man's wife in a most degrading and intimate of poses. All of this appals and yet also darkly arouses her.

Then the men from the IRES dramatically intervene. Can Jane be rescued from their clutches before her will is broken? Even if she escapes, will she ever be able to function as a normal person again, or resist the dark thrill of mastering other women?

BOOK THREE OF THE IRONTOWN SERIES